The Last Revealed Three (The Bhubezi Mythology - The Women Who Hold Up the World)

Its really quite difficult to tell how/when/why the Revealing of the Bhubezi Women came about.  It is equally difficult to tell how many there are, or their particular function in Holding up the World.  There are a few pivotal pegs in their story though:

1)           They are all REAL historical figures.

2)           At the beginning of their history they migrated from the center of the earth (Nede) due to an unknown dispute.

3)           Not much is known about the first 8 women, as there has only ever been found one reference to each.  These 8 are;  The Queen, The Pilot,  The Aeon, Lyrehc The Scribe, Tokoloshi, Singer to Sleep, Galactic Flaneur, Time Keeper and The Distant Drummer.

This has led those few concerned with these matters to the conclusion that these are TITLES rather than names and that the Women  identified to date may actually also bear one of these titles.

Bhubezi Women Identified thus far: Magenta, Sienna (better known as  Shahrazad), Mona Lisa, Hypatia, Hatshepsut, Empress  Zhangsun Pandora and Cynisca.    IE: 8 Women

For those of you who have been following the tracing of the myth so far,  we have also encountered  The Moorish Darwish (a documented character from the book 1001 Nights  in which Shahrazad became trapped)  The Traveller, The Red Giraffe and various receptacles which masquerade as Vessels In Dispute, as well as the Brown  

Portal.  There are men too who seem to be part of this mythology -

:  The Moorish Darwish

:  The Red Giraffe (shape shifter to all accounts)
: Leonardo da Vinci

:  Eudoxus of Cnidus

:  Pausanias

:  Sergius The Master Builder (a very recent addition, undocumented as yet, discovered by Erich Sundermann in Austria).  Will 8 be revealed?                                               

Vessels/Artifacts in dispute include:

:  съдина  

:  Janie’s Lamp - commonly known as Aladdin’s Lamp (Still not removed from Gerald’s guitar shop)

:  Pandora’s Box

:  Cuilan’s Vessel

:  Funerary urn of Empress Zhangsun

:  Phaistos Disk

:  Mildenhall treasure - Neptune’s dish

:  The Hidden Pâte-sur-pâte

IE; 8 Vessels
Weird or What?

Sundermann, Erich (Austria) For Cheryl Penn Alias BHUBEZI Woman Alias Hatshepsut alias Lady Lioness South Africa

Erich and I have been corresponding for about 3 years, and just when I thought there was a down turn in the fortunes of the Bhubezi Women, along came this beautifully drawn visual narrative relating to the fortunes of Hatshepsut - the 15^th character in the series of Women Who Hold Up the World.  “Years ago a big crocodile from the Nile came to eat up Hatshepsut, but hunted by her many slaves, and shot dead by the soldiers spears, it afterwards was made into a bag, to keep Hatshepsut’s lipstick ‘forever’.  It was found by James Henry Breasted in the sarcophagus of a pyramid, first shown to him (and later sold to him) by an Arabian guide (same is now on view in the historical museum of Berlin.  

It was demanded back by the National Museum of Cairo, but successfully defended as an object of study for German students, and also for the whole world because temperatures in Egypt are very hot”.

Erich has plans for archetypical buildings (safe houses if you will) situate in Between, Messenger Fish and plants from THEIR world.  Erich also introduces Sergius, the master Sculpturer and Builder who says “I am old, but to build makes me happy” - little does this octogenarian  know  how valuable he will ultimately be.  

There is of course the matter of the monument planned for the moon, a facsimile of which was used by Filippo Brunelleschi for the Duomo of Florence.   But more about that for another day - we have to deal with “One more Flower of my invention”.

Lets concentrate on the “lipstick” for a moment. It was not actually (although disguised as such) a lipstick per se, rather, it was a miniature of the Unfinished Obelisk (companion to Hatshepsut’s needle) - which are, I may add, universal clocks moderating Between. But, I’ve rambled on, and the Call is weeping through many universes - please excuse me for the time being.

Mona Lisa

That’s the problem with history - there’s a generally accepted version, and then there’s the real version. These cutout words/phrases are holes in the generally accepted version of Leonardo da Vinci’s life, clues he could not help himself recording.  That’s the problem with History - its so subject to winds of change.  IF such facts were ever discovered, the course of art history would forever be changed to suit the pallet of the Moorish Darwish. The consequence of that? There would be no Bhubezi Women to Hold Up the World, and no Old Stories on which successfully functioning society is based.  Taking a look around, the Darwish is not doing too badly anyway. 

Leonardo was born on 15 April 1452

(Old Style), "at the third hour of the night”.

The reason this is recorded is that Magenta, should she ever have reason  to contact him with messages of bridge building,that would be when she communed.  And bearing in mind all this had to be in place long before he was born, I cannot stress the amount of planning needed to keep all these holes in play.  Her message was a little encrypted.

Aged seven months; 

(Leonardo always recalled this incident which many regarded as an omen - and he had no intention of changing their perception) - a kite (actually a XXXXXXX) dropped out of the sky and hovered over his cradle, its tail feathers brushing his face.  The other important was the matter of the cave but, I’ll have to leave that for a moment.

XXXXXX, standing close by had seen the XXXXXXX drop the tiniest sculpture into the cot and had grabbed it before the startled peasants in the courtyard realized what had happened.

It was a miniature XXXXXXX in the shape of a horses head.  In 1482 (even Vasari writes of Leonardo’s great musical talent) Leonardo remade this instrument in life size replication.  The reason for this was XXXXXXXX.

Cynisca

Mortal Sightings:

David Stafford had one through his alter ego Jimson, (he of the24 to 48 hour anticholinergic delirium) all arranged by The Red Giraffe on an unexpected visit to Goya.

It went something like this:

“When Jimson first saw her he turned to see if Lemke (off the mail belt asteroid) also saw her but he was fiddling with the straps on his backpack .  He wheeled round.  She was still there.

“What a lovely mirage,” he thought to himself.  She did in fact resemble a girl he had once met at a party - not the woman he married, but a stranger whose face had stayed with him.  Now it hovered above him, as impassive as a sphinx, the face pulsating, a frenzied tangle of seething rivulets.  Her face was water, Blue, cool.

He could feel the breeze coming across the desert like a kiss, a benediction as though he was walking along a shady creek.   Lemke grabbed his arm.

“What ever you’re seeing pal…shes’s not there”.

BUT SHE WAS! 

She was a Spartan woman who broke into the most male of Greek arenas during this period: the Olympic games. Cynisca, the sister of one of the Spartan kings, entered her own chariot team in 396 and 392 BC. She won both times, becoming the first female to win the Olympic games (albeit by proxy) in its 400-year history. Pausanias, the ancient traveller and first ‘guide book’ writer, saw the victory monument erected by Cynisca at Olympia to commemorate her success still standing 500 years later.

The monument simply stated:

 My fathers and brothers were Spartan kings, I won with a team of fast-footed horses, and put up this monument, I am Cynisca: I say I am the only woman in all Greece to have won this wreath.

Pausanias, as mentioned before was a careful, pedestrian  writer, he was interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual.  He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him; yet his honesty is unquestionable, and his value without par. In the topographical part of his work, Pausanias is fond of digressions on the wonders of nature, the signs that herald the approach  of an earthquake, the phenomena of the tides, the ice-bound seas of the north, and the noonday sun which at the  summer solstice casts no shadow at Syene.

Pausanias, was given a key by Cynisca which was lodged years later in the Needle of Hatshepsut.  But more about that later.  Suffice it to say, now you know that Cynisca is a Bhubezi Woman and that David Stafford really saw her.

Hatshepsut

Hatshepsut - the 14^th in a line of reveled characters known as The Bhubezi Women.  To set the Scene:

1. Henry Breasted was born on Aug. 27, 1865.  His mother, Eunice had been contacted by Magenta with the news that James would break the news of Hatshepsut to the world.  Being a skeptic, but of nervous disposition, Eunice decided to push James (as per her orders) on leaving Yale to continue his studies at the University of Berlin where Adolf Erman had just established a new school of Egyptology, concentrating systematically on grammar and lexicography.    The study of hieroglyphics (13 in particular) would finally prove to be the  
nzuzo isi

It was here that James realized that Hatshepsut (Foremost of Noble Ladies) was actually a Bhubezi Woman, and he is known to have exclaimed that she is
"the first great woman in history of whom we are informed." See
http://www.nbufront.org/MastersMuseums/JHClarke/HistoricalPersonalities/hp3.html

Hatshepsut is said to have reigned for 22 years - but of course we know this is not the case (refer Chronicles of Lyrehc).  In EXACTLY 1510 BC Hatshepsut, had the vision of the loss of the Bridges Between.   Together with Ineni the great architect it became her ambition to build structures which would house articles needed for Bridge repair.  The buildings and their important contents would need to last (human time) until the appearance of  the Red Giraffe and the Traveller (See # 65, # 66, #67). But lest I overwhelm you at this stage, I’ll leave the story here - after all, another portrait of this Bhubezi Queen WILL be found and the chronicle will continue, as its doing while we watch and wait.